My Hidden Portraits are interventions in historical portraits through image processing. In the process, I reshape individual areas of the painting, obscuring the facial features of the sitter. The result is a shift in focus away from individuality and towards codes or details that are otherwise visible in the painting. Portrait commissions were reserved for a wealthy elite, like Joachim Rendorp here, a rich citizen and mayor of Amsterdam. Liotard’s pastel shows him in a strikingly coloured Justaucorps, which black satin collar is an important contrasting element. It is precisely details like these that I give new meaning to by reshaping them into a mask that, centrally located in the picture, draws attention to the magnificent materiality of the portrait.
Van der Helst III, Photocollage 2020
Certainly the most striking detail of this portrait are the numerous small ribbons, which were probably absolutely in vogue and here adorn the sitter’s dress in excessive numbers. Contrasted with opulent jewellery and lace, this creates a fashionable portrait of the Dutch golden age. Certainly, anyone would usually be captivated by the sitter’s youthfulness at first, while all the details of the dress only add up to an overall picture. I have given the bows and jewellery a new, more important role and played with the details of this painting with a touch of coquetry.
Volker Hermes *1972
1992 – 1995 Heinrich-Heine-University Düsseldorf, Philosophy 1995 – 2002 Academy of art Düsseldorf, Painting in the class of Dieter Krieg 2000 Meisterschüler of Dieter Krieg
This blog aims to follow the research related to the ICOM Solidarity Project 2021: “Clothing the Pandemic: Resiliency, Community & Unity Expressed Through an International Collaboration of the Covid-19 Facemask Project”, conducted by ICOM Costume. This research and digital exhibition project aims to document and contextualize the use of facemasks during the coronavirus pandemic of 2020-21. Facemasks have become the iconic object and symbol of the pandemic representing humanity’s resilience, community and unity during this global tragedy. The project will connect international museums and curators working on this topic, and connect their collections virtually to a global public. The stories of COVID-19 will be recorded in all the world’s history books. In a similar way, this project intends to preserve and explore the iconic object of this challenging pandemic since its very beginnings: the facemask. These facemasks are implicated in a wide range of facets of society, from health, fashion, art and crafts, to history, identity, and sustainability. It is important for museums and the public to have a broader understanding of textile and dress collecting relating to the pandemic. Parallel to health scientists, museum curators have been researching and working throughout the pandemic to study, understand and document the social dimensions of the pandemic. Around the world, many museums since April 2020 have begun to collect facemasks and other dress items chronicling this period of time and exploring their meanings for the people who make and wear them. The ICOM Costume Committee is spearheading this initiative and seeks to highlight and bring together the international efforts to document this moment in time through a joint virtual repository as a virtual exhibition and an international conference. This project is granted by the ‘Solidarity CFP’ launched by ICOM for 2021. Along with ICOM Costume, ICOM CC, ICME and ICOM Canada will be working on the project. By bringing together ICOM international and national committees this project aims to create a virtual exhibition of all aspects of the art, practice and culture of facemasks during the COVID-19 pandemic.
Resiliency, Community & Unity Expressed Through an International Collaboration of the Covid-19 Facemask Project